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Patty Book
Yuki Kéké Tam

Letterpresss and screenprint on linen and rag (book)
Screenprint on Kozo (sleeve)
5" x 4"

Prix : 75 $


(Le Patty Book de Kéké est une célébration et une nostalgie de la fameuse galette de Scarborough. À travers ses aventures sur le chagrin, le goût et l’appartenance, elle donne au lecteur matière à réflexion.)

Keke’s Patty Book is a celebration and longing for the infamous Scarborough patty. Through her adventures in grief, taste, and belonging, she gives the reader some food for thought.

Poetic Postcards (series of 4)
Yuki (Keke) Tam

Letterpress on paper
4” x 6”

Prix : 10 $


My mom doesn’t know that I’m here.

(I took up typesetting because words kept auto-correcting to your name)

I might as well take pleasure in something before the loneliness of diaspora consumes me whole.

Where I am there are no mountains, lighthouses, or skyscrapers.

I am not a tourist.

I do not smile for the camera.

I am inside my thoughts and I wish to send you a souvenir.

Can you remember me by this sentence?

Please remember to write back.

In the end, we were not to be broken.

How To: Zines (series of 4)
Yuki (Keke) Tam

Digital print on bond paper
1” x 1,25”

Prix : 5 $


Simple instructions for complex living.

How To: Experience Negative Emotions
How To: Savour Feelings of Guilt
How To: Recognize a Stranger
How To: Meditate with Gratitude


Yuki Kéké Tam (she/they) is a multi-disciplinary artist and educator of Chinese descent living in the land known as Canada. She received her Bachelors of Arts from York University with a double major in Human Rights & Equity Studies and Fine Arts. She comes from a long line of makers who believe that art is a democratic and social practice. In both her studio and artistic work, she is interested in pedagogies of care. Utilising image and written word, Kéké examines every day tasks and objects, contending that they constitute meaningful practices of resilience.

She believes that even the most ordinary things have magic and the potential of storytelling. Her often philosophical and sometimes didactic expressions investigate how fragmented memories can retain information. She focuses on auto-fictive retellings of intimacy, vulnerability, and persistence. She uses play and parody to require attentiveness and vulnerability from the viewer. While many works make evident negative emotions and displeasure to dismantle myths of colonialism and multiculturalism, her research-creation is a process of healing and deep medicine. You will find her either petting a dog or frequenting cafes as an ex-barista and unqualified coffee enthusiast.